The evening was entitled "Red", the glowing colour in which the visitor is immersed when inside the giant inflatable form. The minimal and reduced sounds and vibrations of the music created an experience for the visitor, much in the same way the exhibition itself does with its simplified colours and forms - the impact of both Hawtin's music and Kapoor's work provoke perhaps a universal, primordial reaction in the spectator. A light show also linked the sounds of the music with the tangible forms of the sculpture.
In keeping with the spirit of La Fete de la Musique, the event was free for the lucky 5000 revellers who managed to download a ticket before they ran out. Once inside, the mixed crowd, reduced to tiny dots in the enormity of the space, congregated between one of the three arms of the bulbous sculpture and Hawtin (also known by the name Plastikman) who presided over the masses from up high on the balcony.
A monumental sound for a monumental artwork.
All images coyright Kim Laidlaw Adrey |
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